
Although both ECG and HRV continue to feature extensively in research in health and perception, methodologies vary substantially. Variations in blood pressure, levels of stress or anxiety, subjective sensations and even changes in emotions constitute multiple aspects that may well-react or respond to musical stimuli. HRV has also been used to observe the effects of medicines, the impact of exercise and the analysis of emotional responses and evaluation of effects of various quantifiable elements of sound and music on the human body. HRV has been studied as a marker of diverse psychological and physical diseases including coronary heart disease, myocardial infarction, and stroke. The ECG signal records heart electrical activity, while HRV reflects the state or condition of the autonomic nervous system. Anger potentially results in the perception of a negative trigger as unexpected, preventable, and purposeful.KeywordsEmotionsTheories of emotionsAmygdalaPrefrontal cortexAngerĮlectrocardiographic signals (ECG) and heart rate viability measurements (HRV) provide information in a range of specialist fields, extending to musical perception. Anger can have a variety of causes, some of which are external to the individual. To trigger an emotion, it is important to trace the initiating factor. The major theories of emotion can be divided into three main clusters (somatic, cognitive, neurological). Emotions are composed of three components (subjective, physiological, expressive) that influence the function and purpose of an emotional response. Emotion as a concept can be categorised into basic and complex factorial analysis demonstrates that it has dimensions enabling its depiction and description from a structural perspective. However, there is no scientific consensus on a definition of emotion, theories, and hypotheses about emotions date back centuries.

Emotions are an integral part of human existence. This chapter emphasises a holistic and spherical view of emotions and with a logical inference leads to the precipitating factors of anger. In order to dive into and explain the anger and its sequelae, we need to take a step back and decipher the notion of emotion. This means that designers can consume the new feedback confident that it represents a fair representation of the total image feedback from the crowd.
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In this paper we describe an experiment showing that these image summaries are as effective as the full image selections at communicating terms. A major component of the method is a summarization process in which the crowd’s feedback, consisting of a mass of images, is presented to the designer as a digest of representative images. Designers can ask a crowd to feedback on their designs using specially constructed image banks to discover the perceptual and emotional theme perceived by possible future customers.

To help rectify this, we have developed a novel method of crowd communication which appeals to those more visual people. Most feedback systems, however, only cater to verbal thinkers.

Imagery and language are often seen as serving different aspects of cognition, with cognitive styles theories proposing that people can be visual or verbal thinkers. Further, the case studies showed that the potential impact of the food stimuli presentation and context should be considered when setting up and interpreting results while conducting sensory research. The results illustrated the added value of including both emotional and sensory profiling tasks by consumers. Lastly, the third case study explored the effect of brand information and context. The impact of content information (insect/vegetarian/meat) was examined in the second study. The first case study investigated the influence of health-related labels. Secondly, three case studies were performed to study the impact of information and context on consumers’ food experience measured by this new tool. In order to facilitate such measurements, a new tool called the EmoSensory® Wheel has been developed and validated in this PhD.

As a first step, this doctoral thesis examines the combination of emotional and sensory profiling by consumers for obtaining a better view on consumers’ food product experience. A possible explanation lies in the fact that consumers’ contribution in traditional sensory research is merely limited to the assessment of their overall liking on blind-labelled products performed in a controlled lab context. Although scientists and industry apply sensory evaluation techniques to better understand and predict consumers’ product choice, 80 to 90% of new food products fail in the market.
